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Draw Guide 7.6

Chapter 6, Editing Images

Raster Graphics


This document is Copyright © 2023 by the LibreOffice Documentation Team. Contributors are listed below. This document maybe distributed and/or modified under the terms of either the GNU General Public License (, version 3 or later, or the Creative Commons Attribution License (, version 4.0 or later. All trademarks within this guide belong to their legitimate owners.


Contributors for this edition:

Peter Schofield

Contributors for previous editions:

Claire Wood

Elzett Kotze

Jean Hollis Weber

John A Smith

John Cleland

Kees Kriek

Martin Fox

Peter Schofield

Regina Henschel


Please direct any comments or suggestions about this document to the Documentation Team mailing list:


Everything sent to a mailing list, including email addresses and any other personal information that is written in the message, is publicly archived and cannot be deleted.

Publication date and software version

Published November 2023. Based on LibreOffice 7.6 Community.Other versions of LibreOffice may differ in appearance and functionality.

Using LibreOffice on macOS

Some keystrokes and menu items are different on macOS from those used in Windows and Linux. The table below gives some common substitutions used in this document. For a detailed list, see LibreOffice Help.

Windows or Linux

macOS equivalent


Tools > Options

LibreOffice > Preferences

Access setup options


Control+click, Ctrl+click, or right-click depending on computer setup

Open a context menu

Ctrl or Control

⌘ and/or Cmd or Command, depending on keyboard

Used with other keys


⌥ and/or Alt or Option depending on keyboard

Used with other keys



Open the Styles deck in the Sidebar


Previous chapters in this Draw Guide have dealt only with vector graphics and the most common types of vector graphics in use are as follows:

SVG (Scalable Vector Graphics)

An Extensible Markup Language (XML) based vector image format for two-dimensional graphics with support for interactivity and animation.

EPS (Encapsulated PostScript)

A PostScript document format usable as a graphics file format. EPS files are self contained, PostScript documents that describe an image or drawing and can be placed within another PostScript document.

AI (Adobe Illustrator)

A proprietary file format developed by Adobe Systems for representing single-page vector-based drawings in either the EPS or PDF formats.

Draw has several functions for handling raster graphics or bitmaps such as photographs and scanned pictures, including import, export, and conversion from one format to another. Draw can also open the majority of graphic file formats using a subset of capabilities similar to raster graphics programs like Gimp or Adobe Photoshop. Raster graphics are generally images or pictures that use the most common formats in use:

JPG/JPEG (Joint Photographic Experts Group)

JPEG is the most common image format on websites and most digital cameras produce JPEG images as default.

GIF (Graphics Interchange Format)

GIF is a bitmap image format that is popular because of its wide support and portability.

PNG (Portable Network Graphics)

PNG is a raster image format which supports lossless data compression and also background transparency.

TIF/TIFF (Tagged Image File Format)

TIFF is flexible, adaptable, and capable of storing image data in a lossless format.

BMP (BitMaP)

Also known as bitmap image file, which is a dot matrix data structure.

Importing images


To import image files into a drawing, go to Insert > Image on the Menu bar to open the Insert Image dialog (Figure 1).

Draw contains import filters for the majority of graphic formats. If the file being imported uses a graphic format not covered by the import filters, it is recommended to use one of the many free graphic conversion programs to convert the file into a format that Draw recognizes.

If Preview is selected, a preview of the file is shown on the right-hand side of the Insert Image dialog. This makes it easier to select the file required and also checks that Draw can import the file format used.

Figure 1: Insert Image dialog

Insert Image dialog


Embedding graphics into a drawing makes them a permanent part of the drawing. Any changes made to an embedded graphic only appear in the drawing where the graphic has been embedded. The original graphic file is not affected. Embedding is importing a graphic into a drawing using one of the following methods:

The main advantage of embedding graphics into a drawing is that a graphic is always available no matter what computer is used to open the drawing.

The main disadvantage of embedding graphics is that it creates large file sizes, which may not be desirable if there is limited storage capacity on a computer. Also, if the original graphic is altered, then the embedded graphic is not updated each time the drawing is opened.


When a graphic is embedded into a LibreOffice drawing, make sure that Insert as Link is not selected in the Insert Image dialog.


Linking to an original graphic does not insert the graphic into a drawing, but creates a link to the location of an original graphic file. Each time the drawing is opened, any linked graphics are displayed in the drawing.

The main advantage of linking graphic files inserted into a drawing is that if the original graphic file is altered or replaced with a graphic using the same filename, the graphic version in the drawing is always up to date. The next time the drawing is opened, the latest version of the graphic is also opened in the drawing. Also the file size of the drawing is smaller and the original graphic is easily edited with specialized external applications.

The main disadvantage of linking graphics is that the link must be maintained between the drawing and the embedded graphic file for a link to work correctly. If the original drawing or graphic file is moved to another computer location, then any links must be updated to include the new location.

1)  Open the Insert Image dialog.

2)  Select Insert as Link in the Insert Image dialog.

3)  Select the required graphic file and click on Open to open the Confirm Linked Graphic dialog (Figure 2).

4)  Click on Keep Link to link the file and close the Confirm Linked Graphic dialog.

5)  If necessary, click on Embed Graphic to embed the file instead of linking the file. This also closes the Confirm Linked Graphic dialog.


When a graphic file is linked to a LibreOffice drawing, the format of the linked graphic is not changed.

Figure 2: Confirm Linked Graphic dialog

Confirm Linked Graphic dialog

Figure 3: Edit Links dialog

Edit Links dialog

Editing links

1)  Go to Edit > External Links on the Menu bar to open the Edit Links dialog (Figure 3) and select the link to be edited.

2)  Click on Modify, Break Link, or Update as appropriate.

3)  Click on Close to save the changes to the link and close the Edit Links dialog.


After scanning, the scanned images are inserted and embedded using PNG format into a drawing or document. To insert scanned images, make sure the scanner is configured for the computer and supported by the following systems:

The following procedure is an example only. The actual scanning procedure depends on the scanner driver, interface, and computer operating system. Consult the scanner documentation for more information.

1)  Place a document, drawing, or photograph in the scanner and make sure that the scanner is switched on and ready, then use one of the following procedures:

2)  Specify the scanning resolution, subject being scanned, and so on.

3)  When the image has been scanned, Draw places it in the drawing. At this point the scanned image can be edited like any other graphic.


If more than one scanning device is connected to the computer, the device is selected when the source is selected. This selection becomes the default source for scanning until another scanner is selected and used as the scanning source.

Copying and pasting

Copying and pasting a graphic also embeds a graphic file into a drawing. A copied graphic can be an image already embedded in another document or drawing, or it can be a graphic file such as a drawing, document, or photograph.

1)  After copying the graphic file, go to Edit > Paste Special > Paste Special on the Menu bar to open the Paste Special dialog.

2)  Select the required format for pasting the copied graphic into a drawing. Available formats for pasting depend on the type of file copied onto the clipboard.

3)  Click OK to paste the graphic file and close the Paste Special dialog.


When copying and pasting images into a drawing, please respect the copyright and license of any file being copied.

Exporting images

Exporting files

By default Draw saves drawings in the Open Document format ODG and some software programs are not compatible with this format. To make drawings compatible with other software applications, a file can be exported in several formats. The export procedure used depends on the computer setup and computer operating system being used. The following procedure is an example export procedure.

1)  Open the ODG file being exported.

2)  Go to File > Export on the Menu bar and open the Export dialog. An example export dialog is shown in Figure Figure 4.

3)  Enter a filename for the exported file and navigate to the folder where the exported file is to be saved.

4)  Select the required file format from the options in the drop-down list.

5)  Click Export and the file is exported as a new file in the selected file format.

Figure 4: Example of an export dialog

Example of an export dialog

6)  Depending on the file format selected, another dialog may open allowing options to be selected for the export format.

7)  Depending on the additional dialog that may open, click on Export, Create, or OK and the file is exported as a new file in its new format.

Exporting objects

Exporting individual objects, or a group of objects, from a drawing file is similar to “Exporting filesabove. Open a drawing and select the object or objects for export. Make sure to choose the Selection option in the export dialog (Figure 4). Using this method, an imported image can be modified, annotations added to it, and make any other changes, then select it and export for use in another drawing or document.

Formatting images (raster objects)

Images (raster graphics) are edited and formatted to add or change filters and adjust the properties of color, lines, areas, and shadows using one of the following methods:


Formatting changes made to a graphic using tools in LibreOffice only appear in the drawing where the graphic was modified. Original graphic file is not affected. Raster graphics included in a group behave like other objects when the properties of the group are edited and formatted.

Naming images

Draw names objects, including inserted images, Shape 1, Shape 2, and so on, using the insertion order into a drawing. It is recommended to rename objects, including images, using a unique name. Names make objects and images easily identifiable in the LibreOffice Navigator.

1)  Select an image, then use one of the following methods to open the Name dialog and create a unique name for the selected image:

2)  Enter a name in the Name text box in the Name dialog that opens and click OK.

Image toolbar

The Image toolbar (Figure 5) appears when an image or object that is a raster graphic is selected. For more information on the Image toolbar and the available tools, see Appendix B, Toolbars. The tools listed below for the Image toolbar are an example only.

Position and Size (F4)

Opens the Position and Size dialog. See Chapter 3, Working with Objects for more information.

Figure 5: Image toolbar

Image toolbar

Align Objects

Opens a sub-toolbar giving access to alignment tools for aligning selected objects in relation to each other. See Chapter 5, Combining Multiple Objects for more information.

Bring to Front

Brings the selected object to the front of a group of objects (Ctrl+Shift++) (macOS ⌘+Shift++).

Bring Forward

Brings the selected object forward one step (Ctrl++) (macOS ⌘++).

Send Backward

Sends the selected object one step backward (Ctrl+–) (macOS ⌘+–).

Send to Back

Sends the selected object to the back of a group of objects (Ctrl+Shift+–) (macOS ⌘+Shift+–).

In Front of Object

Moves the selected object in front of another selected object.

Behind Object

Moves the selected object behind another selected object.


Reverses the order of the selected objects. This tool is grayed out if only one object is selected.

Line Style

Opens a drop-down list with different line styles used for the outline of the border. See Chapter 4, Changing Object Attributes for more information.

Line Width

Used to change the width of a line. See Chapter 4, Changing Object Attributes for more information.

Line Color

Used to change the color of a line. See Chapter 4, Changing Object Attributes for more information.

Area Style/Filling

Used to change the type of filling used in a shape. See Chapter 4, Changing Object Attributes for more information.


Sets the default shadow effect around the picture. The shadow attributes are adjusted using the Shadow panel in the Properties deck on the Sidebar. See Chapter 4, Changing Object Attributes for more information.


Opens the Image Filter toolbar which is described in “Image filters” on page 1.

Figure 6: Image panel in Properties deck on Sidebar

Image panel in Properties deck on Sidebar

Image Mode

Changes the display of the image from color to grayscale, black and white, or a watermark. This setting affects only the display and printing of the image; the original image file remains unchanged. The image mode setting can also be changed using Color mode in the Image panel in the Properties deck on the Sidebar (Figure 6).


Image is displayed unaltered in color.


Image is displayed in 256 shades of gray.


Image is displayed in black and white.


Color, brightness, contrast, and gamma settings are reduced so that the image can be used as a watermark (background). The default settings for Watermark can be adjusted using the Color sub-toolbar (Figure 7).

Crop Image

Crops or trims an image. When using this tool, crop marks appear around the image. Drag one or more of these marks to crop the image to the desired size. For more information on cropping, see “Cropping images”.


Flips the selected object vertically. See Chapter 4, Changing Object Attributes for more information.


Flips the selected object horizontally. See Chapter 4, Changing Object Attributes for more information.

Figure 7: Color sub-toolbar

Color sub-toolbar


Opens the Transformations toolbar. See Chapter 4, Changing Object Attributes for more information.


Adjusts the degree of transparency of the image between 0% (opaque) and 100% (fully transparent). The transparency setting can also be adjusted using the Image panel in the Properties deck on the Sidebar.


Opens the Color sub-toolbar (Figure 7) to adjust the values of the RGB colors, brightness, contrast, and Gamma. These adjustments do not affect the original image, but the values are stored in Draw as a separate formatting set. The color settings can also be adjusted using the Image panel in the Properties deck on the Sidebar.

Red, Green, Blue

Select values between –100% (no color) to +100% (full intensity); 0% represents the original color value of the image.


Select a value between –100% (totally black) and +100% (totally white).


Select a value between –100% (minimum) and +100% (maximum).


Affects the brightness of the middle color tones. Select a value between 0.10 (minimum) to 10 (maximum) Try adjusting this value if changing brightness or contrast does not give the required result.

Cropping images

Cropping is a method of hiding unwanted areas of an image or changing the size of an image in a drawing. Changes made when cropping an image only change the display of the image in a drawing and not the original image file.

Figure 8: Example image in crop mode

Example image in crop mode

Quick cropping

After selecting an image, it can be cropped quickly using one of the following methods:

Selection handles appear around the selected image (Figure 8) and the image is cropped as follows:

Crop dialog

For more control and accuracy over the cropping functions, it is recommended to use the Crop dialog (Figure 9). Select an image and go to Format > Image > Crop Dialog on the Menu bar to open the Crop dialog.


Trim or scale the selected image, or add white space around the image.

Keep scale

Maintains the original scale of the image when cropping so that only the size of the image changes.

Keep image size

Maintains the image original size when cropping so that only the image scale changes. To reduce the image scale, select this option and enter negative values in the cropping boxes. To increase the image scale, enter positive values in the cropping boxes.

Figure 9: Crop dialog

Crop dialog

Left and Right

If Keep scale is selected, enter a positive amount to trim the left or right edge of the image, or a negative amount to add white space to the left or right of the image. If Keep image size is selected, enter a positive amount to increase the image horizontal scale, or a negative amount to decrease the image horizontal scale.

Top and Bottom

If Keep scale is selected, enter a positive amount to trim the image top or bottom, or a negative amount to add white space above or below the image. If Keep image size is selected, enter a positive amount to increase the image vertical scale, or a negative amount to decrease the image vertical scale.


Used to change the image scale as it appears in a drawing.


Enter a percentage value to change the image width.


Enter a percentage value to change the image height.

Image Size

Used to change the image size.


Enter a value for the image width.


Enter a value for the image height.

Original Size

Original size of the image is displayed above the option. Clicking on this option and then clicking OK resets the selected image to its original size.


In the Crop dialog, the Width and Height are treated as independent values. Changing one without the other can result in significant distortion of the image and this may not be what is required.

Exporting cropped images

If a cropped image is to be used in another drawing, use one of the following methods after selecting the cropped image:

Compressing images

If a large image is inserted into a drawing and resized to fit into the layout of the drawing, the complete full-size original image is stored in the drawing file. This preserves the original image, possibly resulting in a large file to store or send by mail.

If some loss of image quality can be accepted, the image can be compressed reducing its data volume while preserving its display in the page layout;

1)  Open the Compress Image dialog (Figure 10) using one of the following methods:

2)  Select the type of compression and the resolution required.

3)  Click on Calculate New Size to update the image information when the Compression and Resolution settings are changed.

Figure 10: Compress Image dialog

Compress Image dialog

Figure 11: Image Filter sub-toolbar

Image Filter sub-toolbar

4)  When satisfied with the new settings, click OK to apply the settings.

5)  If the resulting image is not acceptable, use one of the following methods to undo the changes and select another compression setting.

Image filters

Draw has eleven filter effects that work on selected images and these filters can be combined. Filters always apply to the entire image and it is not possible to use filters to edit only a part of the image.

1)  Select an image to open the Image toolbar.

2)  Apply an image filter using one of the following methods:


If an image is embedded into a drawing, any image filters are applied directly to the embedded image and the original image file is not changed. Save the drawing to retain any filter effects applied to the embedded image in a drawing.

After a drawing is saved and closed, the effects of image filters become permanent. If image filter effects are not satisfactory, use Edit > Undo on the Menu bar to cancel the filter effects before saving the drawing.

When applying image filters to an image, the file size of the image must be taken into account. On large file sizes, there is a time lag between applying an image filter and the effect to be visible on the image.

Figure 12 is an example of an image with no image filters applied. The image filters available on the Image Filter sub-toolbar are as follows with examples of the filter effect on the image.

Figure 12: Example image — no filter

Example image — no filter


Inverts or reverses the color values of a color image (similar to a color negative), or the brightness values of a grayscale image. Apply the filter again to revert to the original graphic (Figure 13).

Figure 13: Example of Invert filter

Example of Invert filter


Softens or blurs the image by applying a low pass filter. This reduces the contrast between neighboring pixels and produces a lack of sharpness making the image appear smoother. The effect of the smooth filter can be very subtle. Figure 14 shows the effect of applying a Smooth radius of 15 to an image. Selecting this filter opens the Smooth dialog (Figure 15) where the smooth radius parameter is set. The preview in the Smooth dialog shows the effect of applying the Smooth filter to an image.

Figure 14: Example of Smooth filter

Example of Smooth filter

Figure 15: Smooth dialog

Smooth dialog


Sharpens the image by applying a high pass filter, adjusting the contrast between neighboring pixels. The effect increases if the filter is applied several times making the colors appear faded, as shown by the example in Figure 16.

Figure 16: Example of Sharpen filter

Example of Sharpen filter

Remove Noise

Removes noise by applying a median filter comparing every pixel with its neighbor. It then replaces any pixel with extreme values that deviate in color by a large amount from the mean value with a pixel that has a mean color value. The amount of picture information does not increase each time the filter is applied. However, there are fewer contrast changes resulting in an image that looks smoother and the effect is very subtle (Figure 17).

Figure 17: Example of Remove Noise filter

Example of Remove Noise filter


Solarization refers to an effect that looks when there is too much light during photo development and the colors have become partly inverted. Dark areas appear light or light areas appear dark. In the digital world of photography, solarization creates a change or reversal of color, similar to the effect of the Invert image filter. Figure 18 shows the effect of a Solarization filter applied using a threshold value of 50%.

Selecting Solarization opens the Solarization dialog (Figure 19), where the degree of solarization (Threshold value) can be specified. Entering a Threshold value above 70% reverses the inversion effect on colors. Also, selecting Invert reverses the effect of the Solarization image filter, as shown in the preview box in Figure 19.

Figure 18: Example of Solarization filter

Example of Solarization filter

Figure 19: Solarization dialog

Solarization dialog


Aging creates a look that resembles photographs developed in the early days of photography (Figure 20). All pixels are set to their gray values and then the green and blue color channels are reduced by the amount specified in Aging degree in the Aging dialog. Red color channel is not changed.

Selecting the Aging filter opens the Aging dialog (Figure 21), where the Aging degree can be defined and create an old look for an image.

Figure 20: Example of Aging filter

Example of Aging filter

Figure 21: Aging dialog

Aging dialog


Posterizing reduces the number of colors in an image. For example, a photograph will probably look like a painting when the number of colors is reduced (Figure 22). Selecting Posterize opens the Posterize dialog (Figure 23), where the number of Poster colors can be defined to produce the effect required.

Figure 22: Example of Posterize filter

Example of Posterize filter

Figure 23: Posterize dialog

Posterize dialog

Pop Art

Changes the colors of an image converting it to a pop-art format (Figure 24).

Figure 24: Example of Pop Art filter

Example of Pop Art filter

Charcoal Sketch

Displays an image as a charcoal sketch. The contours of the image are drawn in black and the original colors are suppressed (Figure 25).

Figure 25: Example of Charcoal Sketch filter

Example of Charcoal Sketch filter


Calculates the edges of an image in relief as if the image is illuminated by a light source (Figure 26). Selecting Relief opens the Emboss dialog (Figure 27) where the position of the Light source is selected producing shadows that differ in direction and magnitude.

Figure 26: Example of Relief filter

Example of Relief filter

Figure 27: Emboss dialog

Emboss dialog


This image filter joins groups of pixels and converts them into rectangles of a single color creating an image that appears to be a mosaic (Figure 28). The larger the individual rectangles created, the fewer details in the mosaic graphic.

Selecting this image filter opens the Mosaic dialog (Figure 29), where the number of pixels for Width and Height of the tiles is set. Selecting Enhanced edges enhances the edges of each tile, creating a sharper definition.

Figure 28: Example of Mosaic filter

Example of Mosaic filter

Figure 29: Mosaic dialog

Mosaic dialog

Replacing colors

The Color Replacer allows replacement or changing a color in an embedded graphic for another color, or set a color as transparent. Up to four colors can be replaced at once. An area of the graphic cannot be selected for editing as this tool only works on the entire graphic.

The replacement colors selection can only be from one of the available palettes in LibreOffice. New colors cannot be defined here, but custom colors can be created before using the Color Replacer. For more information on creating colors, see Chapter 11, Advanced Draw Techniques.


The Color Replacer can only be used on embedded graphics. If the Color Replacer is used on a linked graphic, the following error message appears “This image is linked to a document. Do you want to unlink the image in order to edit it?”. Click on Yes to unlink and embed the graphic.

Color Replacer dialog


Switches color selection on when selected.


Replaces the selected source colors in the selected image with the colors specified in the Replace with boxes.


Lists the source colors and the replacement colors.

Source color

Select this checkbox to replace the current Source color with the color that specified in the Replace with box.


Set the tolerance for replacing a source color in the source image. To replace colors that are similar to the color selected, enter a low value. To replace a wider range of colors, enter a higher value.

Replace with

Lists the available color palettes and replacement colors.


Replaces transparent areas in the selected image with the color selected.

Replacing colors

1)  Select an embedded image to start using the Color Replacer.

2)  Go to Tools > Color Replacer on the Menu bar to open the Color Replacer dialog (Figure Figure 30).

3)  Click on Pipette at the top of the Color Replacer dialog to activate the color selection mode.

4)  Move the cursor over the color to be replaced in the selected image and a preview of the color appears in the box next to Pipette.

5)  Click on the color. The selected color appears in the first Source color preview box and a check mark appears next to it.

6)  To select another color, place a check mark next to the second Source color preview box and click on another color in the selected image. A maximum of four colors can be selected in the Color Replacer dialog.

7)  Enter the amount of tolerance required for replacing each selected color in the Tolerance boxes. The default selection is 10% tolerance.

Figure 30: Color Replacer dialog

Color Replacer dialog

Figure 31: Example image before replacing colors

Example image before replacing colors

Figure 32: Example image after replacing colors

Example image after replacing colors


Using the Color Replacer replaces all occurrences of the Source color that are in the selected image.

The default selection of Transparent in the Replace with boxes removes selected color from an image and creates transparent areas in a selected image.

1)  In Replace with, select a color palette from the drop-down list, then select the required color from the color palette. Transparent is the default selection.

2)  After selecting up to four colors for replacement, click Replace to replace the colors in the selected graphic. Examples of the original image and after image color replacement are shown in Figures Figure 31 and Figure 32.

3)  There is no preview of the effect. If the result is not satisfactory, select Edit > Undo > Color Replacer in the Menu bar and repeat the color replacement.

Replacing transparent areas

To replace any transparent areas in an image with a color use the following procedure:

1)  Go to Tools > Color Replacer on the Menu bar to open the Color Replacer dialog.

2)  Select an image with transparent areas.

3)  Select Transparency in the Color Replacer dialog so that a check mark appears next to Transparency.

4)  Select a color palette from the drop-down list next to Transparency, then select a color from the selected palette.

5)  Click on Replace and the transparent areas are filled with the selected color.

6)  There is no preview of the effect. If the result is incorrect, select Edit > Undo > Image Color Replacer in the Menu bar.


Contour conversion


Any editing to an object must be completed before carrying out a contour conversion because any further normal editing is not possible on the converted object.

No confirmation dialog is provided for a contour conversion.

1)  Carry out all necessary editing on the object before converting to a contour.

2)  Make sure the object is selected.

3)  Convert the object to a contour using one of the following methods:

Polygon conversion

Polygon conversion is used to convert a selected image into a group of polygons filled with color. The image is also converted to a vector graphic and can be resized with no loss of image quality or distortion of any text. After conversion, the graphic can be broken into groups of polygons and then split into individual polygons. Breaking and splitting allows editing or deletion of individual colors within the graphic.

Conversion options and controls

Number of colors

Enter the number of colors to be displayed in the converted image. LibreOffice generates a polygon for each occurrence of a color in the image. The range for the number of colors is between 8 and 32.

Point reduction

Removes color polygons that are smaller than the pixel value entered. The range for point reduction is between 0 and 32 pixels.

Fill holes

Fills the blank areas in the graphic that can be created when applying a point reduction.

Tile size

Enter the size of the rectangle for the background fill. Tile sizes range between 8 and 128 pixels.

Source image

Preview of the original image.

Vectorized image

Preview of the converted image.


Creates a preview of the converted image in Vectorized image without applying any changes.


Converts the image to a vector graphic consisting of polygons. The result is a metafile in SVM format (StarView Metafile) used by LibreOffice and allows transfer of the converted image to other LibreOffice documents.


1)  Select an image in a drawing.

2)  Convert the image into a polygon using one of the following methods and open the Convert to Polygon dialog (Figure Figure 33).

3)  Select Number of colors and Point reduction to be used in the conversion.

4)  Select Fill holes to prevent any blank areas appearing in the converted image.

5)  Enter the number of pixels to use for Tile size.

6)  Click Preview to check how the converted graphic will look.

7)  Make any necessary changes to the settings and check the preview again.

8)  If the converted image meets the expected requirements, click OK to convert the image to a polygon and close the Convert to Polygon dialog.

Figure 33: Convert to Polygon dialog

Convert to Polygon dialog


After converting an image to polygons, the vectorized image can be broken into groups of polygons. Each group of polygons consists of one color and becomes an object that can be used in another drawing.

1)  Convert an image to polygons, see “Convertingabove.

2)  Make sure the converted image is selected, then use one of the following methods to break the image into groups of polygons:

1)  Click on a color in the image and drag the group of polygons filled with that color out of the image to create a new image.

2)  Alternatively, press Delete and delete the color from the image.


After converting an image to polygons and breaking the image into polygon groups, these polygon groups can be split into individual polygons.

1)  Convert an image to polygons, see “Convertingabove.

2)  Break the image into groups of polygons, see “Breakingabove.

3)  Select the image, then use one of the following methods to split the polygon groups into individual polygons:

4)  Select an individual polygon (or several polygons) in the image and drag the polygon from the image to create a new image in the drawing.

5)  Alternatively, press Delete to delete the selected polygon(s) from the image.

Bitmap conversion

All drawing objects placed into a LibreOffice drawing are vector graphics and these vector graphics can be converted to a bitmap (raster graphic) in PNG format. Any transparency effects in the original vector graphic are lost during conversion even though the PNG format used by LibreOffice Draw supports transparencies. Use one of the following methods to convert a vector graphic to a bitmap. There is no confirmation dialog is provided for a bitmap conversion.